Entries in Leonardo DiCaprio (2)




Quentin Tarantino’s film career has spanned several different genres, made old stars new stars again (Hello Travolta, Hello Forster) and made the film soundtrack very cool again. For his 9th (give or take) film, he jumps back into the backlots of Hollywood 1969, right around the Manson murders. But it’s not so much about the murders. It’s really about the way life was around the Manson era. The way Hollywood was a dancing, bright and flashy, violent scene to be in. Tarantino is one of the masters of finding scenarios that have been done over and over and exploring them differently, making them look different through his lenses. And he does exactly that in ONCE UPON A TIME IN HOLLYWOOD, his glorious new ‘ode to Motion Pictures, and the troubles that surround it.

There’s a duel story being told here: one of Rick Dalton (Leonardo DiCarprio), a famous TV gunslinger whose career is starting to dry up, and his long-time stunt double and friend Cliff Booth (Brad Pitt). Rick wants to reclaim the feeling of his glory days but doesn’t quite know how to do it. Cliff hasn’t been a full-time stunt double in years, so he’s also become Rick’s driver, and he loves it. Taking him from place to place. Though the two of them are close friends, they are complete opposites. Rick is an emotional roller coaster, drinking his way through his sadness, while nothing at all seems to bother Cliff: he’s cool as a cucumber. Rumors abound the film, especially around Cliff, who is rumored to have killed his wife and got away with it; a flashback scene smartly plays up the moment in question without a resolution.

The film plays with time and a distorted reality, sometimes feeling like a film within a film. Whose reality are we watching? Why is there sometimes narration, and if we see an image of the past, like a scene between Cliff and Bruce Lee (Mike Moh), are we to believe it exactly, or is it simply a Point of View memory? Worlds do start to come together, as Rick now finds himself next door to Sharon Tate (Margot Robbie) and Cliff starts seeing Mason girls just wandering around the bus stops. However, the most fascinating part of these moments is that we don’t end up following them to the Ranch. We stay with Cliff and Rick, and only when their paths decide to cross into that world, do we explore it.

The movie bursts with small details of old Hollywood and has long sequences that play out perfectly, not necessarily moving along the plot, but adding a ton of character depth (such is the sequence with Rick and a young child co-star on a film set). Where the film goes, it takes it’s time getting to, and that’s one of the reasons to love this film. It feels just like and nothing like a Tarantino film at the same time. Every shot is there for a reason, and it’s all building to…well, I won’t spoil it in any way. But know that it’s a thrilling, nostalgic ride that only he can do. So, stick out your thumb. Hitch a ride. Take a look. You won’t know what you’re missing unless you take a look.


WRITTEN AND DIRECTED BY Quentin Tarantino.  STARRING Brad Pitt, Leonardo DiCaprio, Margot Robbie, Dakota Fanning, Luke Perry, Al Pacino, Mike Moh, Kurt Russell, Tomothy Olyphant. Now playing in cinemas.






The D is silent, but the rest of this film is oh, so loud.

After an abrupt introduction to our two leading gentleman, Django played by Jamie Foxx, and Dr. King Schultz played by Christoph Waltz, we set out for a spaghetti western with a twist. The beginning seems to jar the senses a bit, but after the first encounter of the two bounty hunters working together, I was hooked.

Ride somewhere, shoot ‘em up, collect money. But this is no ordinary western. What makes it interesting is that Django and Dr. Schultz are not just bounty hunters, but different races. In this time period, that never would have happened. One of the things I like about Quentin Tarantino’s films is that he takes history, and fixes it just a little. For example, in this film Tarantino gives a former slave the chance to get paid to kill white people. He gives this free man the chance to reunite with his enslaved wife. These are things that never happened in our history, that I wish would have happened, that should have happened. Those are the things to which Tarantino gives life.

Somehow, even though this movie is a tale of revenge and rescue, it is oftentimes comedic. Watching the Klan arguing about the poorly made masks before they departed on a violent raid of Dr. Schultz’s believed sleeping place, was pure comedy. The comic-book style blood splatters and spurts had me cheering like a teen-aged boy. And the one-liners were applause worthy. Yet, through the laughing, cheering and wild applause, I was still on a razor’s edge waiting to see who lived and who died.

Tarantino has crafted a film that is the perfect blend of old ideas and new storytelling. You'll enjoy the perfect balance of off-kilter comedy, and edge of your seat action sequences. Plus, the score and music choices are innovative and fresh, and the acting was a solid work of art.



Directed and Written by: Quentin Tarantino Starring: Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington and Samuel L. Jackson RATED R


FINAL THOUGHTS: It has all my favorites, gun fights, weird humor, and Leonardo DiCaprio.


CHRISENA RICCI once went to a costume party dressed in an all black dress and black wig. No one there could guess who she was. So she shouted out, "I'm Christina Ricci, without the T or I and add an E!" Everyone stood there confused, she was annoyed, so she stormed off. She never returned to that apartment ever again. Which is fine, because she later realized she was at the wrong party. She now lives in New York City.