A FILM REVIEW OF "GLASS CHIN"
Throughout the years, filmmakers have flocked to creating boxing movies.  From Raging Bull to Rocky, The Hurricane and Million Dollar Baby, we as an audience love them and writers love to write them.  The underdog story, the excitement of a boxing ring, and the corruption behind the scenes makes for compelling storytelling.  Tribeca’s entry into the Boxing world this year is no different, and it’s the best film I’ve seen in the festival so far.  GLASS CHIN tells  the tale of Bud “The Saint” Gordon (Corey Stoll), a once on top of the  world Heavyweight fighter, who is now just looking to make it day to  day.  He lives with his  girlfriend (Marin Ireland) in New Jersey but is dying for something  different, something with a touch from the past.  The only glimmer of  hope has come with helping an up and coming boxer, but another larger  opportunity comes when a dirty businessman named JJ (Billy Crudup)  offers him a deal he can't refuse: a chance to bring his now closed  restaurant to Manhattan, and to earn some extra, fast money.  You can  probably guess how well that goes.
 Writer/Director Noah Buschel (The Missing Person, Sparrows Dance) has crafted a beauty of a film.  The cinematography by Ryan Samul (We Are What We Are)  is gorgeous; the way he frames the city and lingers on his subjects  rings of true originality.  Buschel directs his actors with grace and  care as well, not always framing in on the person speaking or leaving  certain characters in the shadows.  You feel the darkness surrounding  Bud and the need for his struggle.  As Bud, Stoll hits a true breakout  performance.  His performance is battered and beaten, and he showcases  his desperation in every single small movement.  Crudup also delivers a  knockout performance, making his crooked gangster smooth, slimy, and  powerful without ever raising his voice.  A scene set in Bud's kitchen  between the two is one of the strongest two person scenes I've seen in  quite some time; two actors truly living in the scene.  Ireland's  performance as the suffering girlfriend of a boxer out of his prime is  sad and sweet; touching without ever ringing false.
Writer/Director Noah Buschel (The Missing Person, Sparrows Dance) has crafted a beauty of a film.  The cinematography by Ryan Samul (We Are What We Are)  is gorgeous; the way he frames the city and lingers on his subjects  rings of true originality.  Buschel directs his actors with grace and  care as well, not always framing in on the person speaking or leaving  certain characters in the shadows.  You feel the darkness surrounding  Bud and the need for his struggle.  As Bud, Stoll hits a true breakout  performance.  His performance is battered and beaten, and he showcases  his desperation in every single small movement.  Crudup also delivers a  knockout performance, making his crooked gangster smooth, slimy, and  powerful without ever raising his voice.  A scene set in Bud's kitchen  between the two is one of the strongest two person scenes I've seen in  quite some time; two actors truly living in the scene.  Ireland's  performance as the suffering girlfriend of a boxer out of his prime is  sad and sweet; touching without ever ringing false.
With original, stylistic shots, deliberate slow pacing, and performances that truly shine, GLASS CHIN is a powerful piece of cinematic theatre. One that lingers with you long after the ending fades away.
MATEO'S GRADE: A
 Written and Directed by Noah Buschel    Starring: Corey Stoll, Billy Crudup, Marin Ireland, Kelly Lynch, Elizabeth Rodriguez, Katherine Waterson. Now Available in Select Theatres and VOD.

MATEO MORENO recently won a bet on who could hold their breath the longest underwater. He won the bet, having beat local loudmouth Jimmy "Thunderbird" Thomas with a record breaking "fourteen minutes." True, part of that time was him unconscious and the other part was him being revived, but he still counts it, and is now $20 richer. Take THAT Thunderbird! He currently lives in Brooklyn, New York.